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Acro is an especially challenging dance style for dancers as it requires them to be trained in both dance and acrobatic skills. Acro dancers must be in excellent physical condition as well, because acro is a physically demanding activity. Although acro is a popular dance style, many dance schools do not teach it, often due to lack of facilities or expertise needed for acrobatic training.
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The dance movements in acro are founded in ballet, jazz, lyrical and modern dance styles. Acro dance movements are not restricted to these dance styles, but the complete absence of these styles will typically cause a dance to be categorized as something other than acro, such as hip-hop or break dance.
A defining characteristic of acro is the smooth transitions between dance and acrobatic movements. Also, a dance must have a significant percentage of dance movement, with respect to its acrobatic content, in order for it to be categorized as acro. For example, a gymnastics floor exercise is not considered to be acro because it has little or no dance movement compared to its acrobatic content, and also because it lacks smooth transitions between dance and gymnastic movements.
The acrobatic movements performed in an acro dance are referred to as tricks. There are numerous tricks that are commonly performed in acro dances. Acro tricks vary widely in complexity and the skill levels required to perform them.
The types of tricks that can be performed in an acro dance depends on the number of dancers:
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Acro dancers often wear acro shoes, which are actually jazz dance shoes. Acro shoes are variously called jazz boots, jazz ankle boots, jazz booties and other names, depending on the manufacturer. They are typically laceless, pull-on shoes, with tight-fitting leather uppers that are designed to prevent the dancer\'s feet from shifting inside the shoes. Because of their thin leather uppers and split soles, acro shoes have excellent flexibility, thus enabling dancers to point their toes and maintain proper form. The sole is made of soft, composite rubber so as to provide both traction and padding. Good traction helps to prevent dangerous lateral slipping, and the padding serves to soften the impact when performing tricks such as tucks and layouts, in which a dancer\'s feet may strike the floor at high velocity. Padding is especially important when a Marley floor is not available because uncovered performance surfaces are often hard and rough.
Less commonly, acro dancers may wear partial foot covers such as Foot Paws or Foot Undies, or dance with bare feet. Partial foot covers increase the risk of slipping, and hence injury, but they may be preferred for aesthetic reasons or to enable a dancer to execute turns that would be difficult or impossible with acro shoes.
Competitive acro dancers frequently wear costumes when performing at dance competitions. Acro costumes often have loose fabric pieces such as short skirts, but the sizes and locations of these pieces are carefully calculated to ensure that they pose no safety risks. As an extra safety measure, skirts are sometimes pinned or stitched at the back below the waistline so that they will not hang at full length when the dancer is inverted, as in hand walking; this prevents the skirt—which might otherwise become entangled in the dancer\'s hair or costume headpiece—from contacting the dancer\'s head.
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